PIAHABEKOST
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    • TOO MUCH IS NOT ENOUGH
    • CRYSTALLINE
    • WHAT MAKES YOU LEAP
    • FOUR TO GET RICH SIX TO GET FAMOUS
    • IMAGINATIONLAND
    • LOWER THAN DEEP
    • ELECTRIC DAISY DIARY
    • METALLIC MINDS
    • SHE HIDES THE DOPE IN HER HAIR
    • NORTHERN EXPOSURE 1
    • HIGHER THAN HIGH
    • NORTHERN EXPOSURE 2
    • HAPPY PILL
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CRYSTALLINE
2011
Fine Arts, Painting, Typography
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
  • CRYSTALLINE Overall 1
    Acrylic paint, gel medium, oil marker, metallic marker
    96" x 64". 243.8 cm x 162.6 cm
  • CRYSTALLINE Overall 2
    Acrylic paint, gel medium, oil marker, metallic marker
    96" x 64". 243.8 cm x 162.6 cm
  • CRYSTALLINE Detail 1
  • CRYSTALLINE Detail 2
  • CRYSTALLINE Detail 3
  • CRYSTALLINE Detail 4
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  • VELOCITY GIRL
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • TAKE ME HOME I'LL CHANGE YOUR LIFE
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • FLUORESCENT ADOLESCENT
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • MAGNETIC SUPERBOX
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • PICK A POISON
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • TOO MUCH IS NOT ENOUGH
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • WHAT MAKES YOU LEAP
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • FOUR TO GET RICH SIX TO GET FAMOUS
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • IMAGINATIONLAND
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • LOWER THAN DEEP
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • ELECTRIC DAISY DIARY
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • METALLIC MINDS
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • SHE HIDES THE DOPE IN HER HAIR
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • NORTHERN EXPOSURE 1
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • HIGHER THAN HIGH
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • NORTHERN EXPOSURE 2
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • HAPPY PILL
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
© Pia Habekost 2009-2012. All rights reserved.
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