PIAHABEKOST
  • PAINTINGS
    • VELOCITY GIRL
    • TAKE ME HOME I'LL CHANGE YOUR LIFE
    • FLUORESCENT ADOLESCENT
    • MAGNETIC SUPERBOX
    • PICK A POISON
    • TOO MUCH IS NOT ENOUGH
    • CRYSTALLINE
    • WHAT MAKES YOU LEAP
    • FOUR TO GET RICH SIX TO GET FAMOUS
    • IMAGINATIONLAND
    • LOWER THAN DEEP
    • ELECTRIC DAISY DIARY
    • METALLIC MINDS
    • SHE HIDES THE DOPE IN HER HAIR
    • NORTHERN EXPOSURE 1
    • HIGHER THAN HIGH
    • NORTHERN EXPOSURE 2
    • HAPPY PILL
  • SCULPTURES
    • MEMEME
    • YESNOMAYBE
    • BEAUTY
    • YESYESNO
    • WHY NOT
    • YESYESYES
  • SKETCHDIARY
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    • 27072012
    • 20072012
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MEMEME
2012
Fine Arts, Sculpting, Typography
MEMEME is a sculptural piece exploring the formation of unique and dynamic patterns through three dimensional typographic repetition. The actual word gradually looses its meaning to become an abstract shape eventually blending into a stunning 3d pattern. The piece encourages the viewer to move inside and around it while engaging with subtle reflection.
  • MEMEME is a sculptural piece exploring the formation of unique and dynamic patterns through three dimensional typographic repetition. The actual word gradually looses its meaning to become an abstract shape eventually blending into a stunning 3d pattern. The piece encourages the viewer to move inside and around it while engaging with subtle reflection.
  • MEMEME Installation view 1
    Hard coated CNC milled foam with car finish 
    14'7" x 27'8" x 16'4"/ 450 x 850 x 500 cm
  • MEMEME Detail 1.1
  • MEMEME Detail 1.2
  • MEMEME Installation view 2
    Hard coated CNC milled foam with car finish 14'7" x 27'8" x 16'4"/ 450 x 850 x 500 cm
  • MEMEME Detail 2.1
  • MEMEME Detail 2.2
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  • VELOCITY GIRL
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • TAKE ME HOME I'LL CHANGE YOUR LIFE
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • FLUORESCENT ADOLESCENT
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • MAGNETIC SUPERBOX
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • PICK A POISON
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • TOO MUCH IS NOT ENOUGH
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • CRYSTALLINE
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • WHAT MAKES YOU LEAP
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • FOUR TO GET RICH SIX TO GET FAMOUS
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • IMAGINATIONLAND
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • LOWER THAN DEEP
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • ELECTRIC DAISY DIARY
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • METALLIC MINDS
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • SHE HIDES THE DOPE IN HER HAIR
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • NORTHERN EXPOSURE 1
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • HIGHER THAN HIGH
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • NORTHERN EXPOSURE 2
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • HAPPY PILL
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
© Pia Habekost 2009-2012. All rights reserved.
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